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commedia » comedian (Expand Search), comedic (Expand Search)
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1
Commedia dell' arte : story, style / Peregrine Productions (Burwood, Vic.)
Published 2007Table of Contents: “…Beginnings of Commedia dell' Arte (2:42) -- Art Forms Included in Commedia dell' Arte (0:55) -- Italian Mask Theater (2:16) -- Ancient Greek Theater (2:43) -- Christianity and Theater Arts (1:27) -- Cultural Rebirth in Italy (3:16) -- Italy: Masked Celebrations (3:15) -- Commedia dell' Arte Stock Characters: Pantalone the Miser (2:44) -- Commedia dell' Arte Stock Characters: Arlecchino and Brighella (1:07) -- Stock Character Representation (4:31) -- Stock Character: Crafty Gentleman (1:09) -- Stock Character: The Doctor (2:59) -- Stock Characters: Romantic Leads (3:44) -- Stock Character: Female Servant (2:50) -- Classic Character Masks: Antihero Figure (2:24) -- Classic Character Masks: Hero Figure (3:00) -- Early Puppet Theater: Slapstick Humor (1:51) -- Commedia dell' Arte: Improvisation (3:42) -- Traveling Companies of Performers (1:31) -- Golden Age of Commedia dell' Arte (3:24) -- Commedia dell' Arte Mime (1:06) -- Theater Troupe in Shakespeare's England (3:53) -- Comedy Changes in Italy (2:00) -- Puppets: Far-Reaching Influence of Commedia dell' Arte (4:34) -- Stock Characters/Universal Characters (4:16) -- Commedia del' Arte Today (1:47) -- Influence of Commedia dell' Arte on Western Comedy (2:35)…”
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2
A companion to film comedy / edited by Andrew Horton and Joanna E. Rapf.
Published 2012Full text (Emerson users only)
Electronic eBook
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3
La dama y Galán Aquiles (El monstruo de los jardines)
Published 2013Full text (Emerson users only)
Electronic eBook -
4
The Artificial Body in Fashion and Art : Marionettes, Models and Mannequins.
Published 2016Full text (Emerson users only)
Electronic eBook -
5
A companion to Spanish cinema / edited by Jo Labanyi and Tatjana Pavlović.
Published 2013Table of Contents: “…Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh).…”
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