Divine comedies for the new millennium : recent Dante translations in America and the Netherlands / edited by Ronald de Rooy.

Table of Contents: “…Divine Comedies for the new millennium /…”
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Divine comedies for the new millennium : recent Dante translations in America and the Netherlands / edited by Ronald de Rooy.

Table of Contents: “…Divine Comedies for the new millennium /…”
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Casting directors' secrets : inside tips for successful auditions / Ginger Howard Friedman. by Friedman, Ginger Howard, 1932-

Table of Contents:

The reluctant film art of Woody Allen / Peter J. Bailey. by Bailey, Peter J., 1946-

Table of Contents: “…That old black magic: Woody Allen's ambivalent artistry -- Strictly the movies: Play it again, Sam -- Getting serious: the antimimetic emblems of Annie Hall -- Art and idealization: I'll fake Manhattan -- Strictly the movies ii: how Radio days generated nights at the movies -- Life stand still here: Interiors dialogue -- In the stardust of a song: Stardust memories -- Woody's mild Jewish Rose: Broadway Danny Rose -- The fine art of living well: Hannah and her sisters -- If you want a Hollywood ending: Crimes and misdemeanors -- Everyone loves her/his illusions: The purple rose of Cairo and Shadows and fog -- Poetic license, bullshit: Bullets over Broadway -- Let's just live it: Woody Allen in the 1990s -- Because it's real difficult in life: Husbands and wives -- Rear condo: Manhattan murder mystery -- That voodoo that you do so well: Mighty Aphrodite -- And what a perfect plot: Everyone says I love you and Zelig -- How we choose to distort it: Deconstructing Harry -- From the neck up: Another woman and Celebrity -- Allen and his audience: Sweet and lowdown -- Confrontation and escape: Allen's twenty-first-century meditations on comedy and tragedy -- The magic of luck: Scoop, Magic in the moonlight, and Match point -- The heart still wants what it wants: Vicky Cristina Barcelona and You will meet a tall dark stranger -- "People reinvent themselves, don't they?"…”

The reluctant film art of Woody Allen / Peter J. Bailey. by Bailey, Peter J., 1946-

Table of Contents: “…That old black magic: Woody Allen's ambivalent artistry -- Strictly the movies: Play it again, Sam -- Getting serious: the antimimetic emblems of Annie Hall -- Art and idealization: I'll fake Manhattan -- Strictly the movies ii: how Radio days generated nights at the movies -- Life stand still here: Interiors dialogue -- In the stardust of a song: Stardust memories -- Woody's mild Jewish Rose: Broadway Danny Rose -- The fine art of living well: Hannah and her sisters -- If you want a Hollywood ending: Crimes and misdemeanors -- Everyone loves her/his illusions: The purple rose of Cairo and Shadows and fog -- Poetic license, bullshit: Bullets over Broadway -- Let's just live it: Woody Allen in the 1990s -- Because it's real difficult in life: Husbands and wives -- Rear condo: Manhattan murder mystery -- That voodoo that you do so well: Mighty Aphrodite -- And what a perfect plot: Everyone says I love you and Zelig -- How we choose to distort it: Deconstructing Harry -- From the neck up: Another woman and Celebrity -- Allen and his audience: Sweet and lowdown -- Confrontation and escape: Allen's twenty-first-century meditations on comedy and tragedy -- The magic of luck: Scoop, Magic in the moonlight, and Match point -- The heart still wants what it wants: Vicky Cristina Barcelona and You will meet a tall dark stranger -- "People reinvent themselves, don't they?"…”
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Tips : ideas for directors. by Jory, Jon

Table of Contents: “…-- Sheer Fun -- Reblocking -- Bits and Pieces -- Replacing the Actor -- Run-throughs -- Leaving Rehearsal -- Working Toward the End -- Comedy -- Comic Business -- Directing Comedy -- Comic Variations -- The Comedy List -- More Comedy -- Comic Tone -- The Release for the Laugh -- The Final Stage -- Notes Near Opening -- Polishing -- Three More Times When You Can Do That -- The Spacing Rehearsal -- Handling Techs -- The Curtain Call -- The First Preview -- Opening Day -- Opening Night -- Critics -- Picture Call -- Getting a Career -- The Director's Homework -- Homework -- More Homework -- Understanding Your Audience -- Reading from the Character's Viewpoint -- Reading for the Character's Heart -- The Moment Chain -- Concept -- The Nightmare Production.…”
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