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Showing 1 - 4 results of 4 for search '((commedia OR comedic) OR comedies) (((((bell'parte. OR ((dead'apart. OR head'apart.) OR ((((led'ppparty. OR lead'pparty.) OR (had'pparte. OR had'pparts.)) OR (read'parte. OR (road'appart. OR read'parts.))) OR (real'aparte. OR real'aparte.)))) OR ((((held'ppart. OR held'pppart.) OR held'aparts.) OR (help'ppart. OR help'ppart.)) OR (deal'ppart. OR tells'pppart.))) OR ((bill'parte. OR bill'part.) OR hill'parte.)) OR ((hell'art. OR hall'art.) OR well'art.)) OR (del'apppparty. OR del'appparty.))', query time: 0.69s Refine Results
  1. 1
    A companion to film comedy / edited by Andrew Horton and Joanna E. Rapf.

    A companion to film comedy / edited by Andrew Horton and Joanna E. Rapf.

    Published 2012
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  2. 2
    A companion to Spanish cinema / edited by Jo Labanyi and Tatjana Pavlović.

    A companion to Spanish cinema / edited by Jo Labanyi and Tatjana Pavlović.

    Published 2013
    Table of Contents: “…Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh).…”
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  3. 3
    The reluctant film art of Woody Allen / Peter J. Bailey.

    The reluctant film art of Woody Allen / Peter J. Bailey. by Bailey, Peter J., 1946-

    Published 2016
    Table of Contents: “…That old black magic: Woody Allen's ambivalent artistry -- Strictly the movies: Play it again, Sam -- Getting serious: the antimimetic emblems of Annie Hall -- Art and idealization: I'll fake Manhattan -- Strictly the movies ii: how Radio days generated nights at the movies -- Life stand still here: Interiors dialogue -- In the stardust of a song: Stardust memories -- Woody's mild Jewish Rose: Broadway Danny Rose -- The fine art of living well: Hannah and her sisters -- If you want a Hollywood ending: Crimes and misdemeanors -- Everyone loves her/his illusions: The purple rose of Cairo and Shadows and fog -- Poetic license, bullshit: Bullets over Broadway -- Let's just live it: Woody Allen in the 1990s -- Because it's real difficult in life: Husbands and wives -- Rear condo: Manhattan murder mystery -- That voodoo that you do so well: Mighty Aphrodite -- And what a perfect plot: Everyone says I love you and Zelig -- How we choose to distort it: Deconstructing Harry -- From the neck up: Another woman and Celebrity -- Allen and his audience: Sweet and lowdown -- Confrontation and escape: Allen's twenty-first-century meditations on comedy and tragedy -- The magic of luck: Scoop, Magic in the moonlight, and Match point -- The heart still wants what it wants: Vicky Cristina Barcelona and You will meet a tall dark stranger -- "People reinvent themselves, don't they?"…”
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  4. 4
    The reluctant film art of Woody Allen / Peter J. Bailey.

    The reluctant film art of Woody Allen / Peter J. Bailey. by Bailey, Peter J., 1946-

    Published 2016
    Table of Contents: “…That old black magic: Woody Allen's ambivalent artistry -- Strictly the movies: Play it again, Sam -- Getting serious: the antimimetic emblems of Annie Hall -- Art and idealization: I'll fake Manhattan -- Strictly the movies ii: how Radio days generated nights at the movies -- Life stand still here: Interiors dialogue -- In the stardust of a song: Stardust memories -- Woody's mild Jewish Rose: Broadway Danny Rose -- The fine art of living well: Hannah and her sisters -- If you want a Hollywood ending: Crimes and misdemeanors -- Everyone loves her/his illusions: The purple rose of Cairo and Shadows and fog -- Poetic license, bullshit: Bullets over Broadway -- Let's just live it: Woody Allen in the 1990s -- Because it's real difficult in life: Husbands and wives -- Rear condo: Manhattan murder mystery -- That voodoo that you do so well: Mighty Aphrodite -- And what a perfect plot: Everyone says I love you and Zelig -- How we choose to distort it: Deconstructing Harry -- From the neck up: Another woman and Celebrity -- Allen and his audience: Sweet and lowdown -- Confrontation and escape: Allen's twenty-first-century meditations on comedy and tragedy -- The magic of luck: Scoop, Magic in the moonlight, and Match point -- The heart still wants what it wants: Vicky Cristina Barcelona and You will meet a tall dark stranger -- "People reinvent themselves, don't they?"…”
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