Showing 101 - 108 results of 108 for search '((commedia OR comedic) OR comedies) ((((((dell'arte. OR (deal'party. OR ideal'party.)) OR (head'pparty. OR (((lead'ppparty. OR led'papart.) OR (read'pppart. OR (road'ppppart. OR (read'pppppart. OR road'ppppart.)))) OR real'apparte.))) OR ((held'ppparts. OR (help'pppart. OR help'pppparte.)) OR (dead'ppart. OR tell'pppart.))) OR bell'parte.) OR (((dell'art. OR dell'part.) OR hall'art.) OR well'art.)) OR ((del'pparte. OR del'pparts.) OR ((del'ppparty. OR del'pppppart.) OR (del'pparte. OR del'pparts.))))', query time: 0.91s Refine Results
  1. 101
  2. 102

    The Body in the Mirror : Shapes of History in Italian Cinema. by Dalle Vacche, Angela

    Published 2014
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  3. 103
  4. 104

    Staging the Ottoman Turk : British drama, 1656-1792 / Esin Akalin. by Akalin, Esin

    Published 2016
    Table of Contents: “…New Beginnings -- 4.2. Commedia dell'Arte Scenarios (1611); 4.3. Le bourgeois gentilhomme (1670); 4.4. …”
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  5. 105

    The Cambridge introduction to theatre directing / Christopher Innes, Maria Shevtsova. by Innes, Christopher, 1941-, Shevtsova, Maria

    Published 2013
    Table of Contents: “…Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance…”
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  6. 106

    Nuevos itinerarios e investigaciones en la literatura y cultura italiana / Daniele Cerrato (edición e introducción).

    Published 2022
    Table of Contents: “…ESTUDIOS LITERARIOS -- LA TRANSMISIÓN DEL TOPOS DE LA FORTUNA A TRAVÉS DE DANTE -- UNO SCRITTO MISOGINO INEDITO DI FINE CINQUECENTO: "LA VERA NARRATIONE DELLE OPERATIONI DELLE DONNE" -- MARGARITA CANTELMO EN LAS OBRAS DE GIAN GIORGIO TRISSINO Y MARIO EQUICOLA -- UNA VENEZIA ROMENA: LA COSTRUZIONE DI UN PAESAGGIO LETTERARIO DA PIETRO BURATTI A VASILE ALECSANDRI -- LA COMMEDIA DELL' ARTE: TEATRO MIGRANTE, ESPECTÁCULO E INTERCULTURALIDAD EN EUROPA Y ESPAÑA -- GIULIO CESARE CROCE Y LA COMPAÑÍA TEATRAL AMBULANTE DE PIETRO SICILIAN -- EROS Y THANATOS EN LA NARRATIVA DE ERCOLE PATTI -- UNGARETTI CRITICO E MEDIATORE E IL CONCETTO DI CANONE LETTERARIO -- IL CANONE FEMMINILE: LA RICEZIONE ANTOLOGICA DELLE OPERE DI ELSA MORANTE NEGLI ULTIMI DECENNI; ANALISI E SPUNTI DI CONFRONTO -- ALERAMO E CAMPANA. …”
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  7. 107

    The reluctant film art of Woody Allen / Peter J. Bailey. by Bailey, Peter J., 1946-

    Published 2016
    Table of Contents: “…That old black magic: Woody Allen's ambivalent artistry -- Strictly the movies: Play it again, Sam -- Getting serious: the antimimetic emblems of Annie Hall -- Art and idealization: I'll fake Manhattan -- Strictly the movies ii: how Radio days generated nights at the movies -- Life stand still here: Interiors dialogue -- In the stardust of a song: Stardust memories -- Woody's mild Jewish Rose: Broadway Danny Rose -- The fine art of living well: Hannah and her sisters -- If you want a Hollywood ending: Crimes and misdemeanors -- Everyone loves her/his illusions: The purple rose of Cairo and Shadows and fog -- Poetic license, bullshit: Bullets over Broadway -- Let's just live it: Woody Allen in the 1990s -- Because it's real difficult in life: Husbands and wives -- Rear condo: Manhattan murder mystery -- That voodoo that you do so well: Mighty Aphrodite -- And what a perfect plot: Everyone says I love you and Zelig -- How we choose to distort it: Deconstructing Harry -- From the neck up: Another woman and Celebrity -- Allen and his audience: Sweet and lowdown -- Confrontation and escape: Allen's twenty-first-century meditations on comedy and tragedy -- The magic of luck: Scoop, Magic in the moonlight, and Match point -- The heart still wants what it wants: Vicky Cristina Barcelona and You will meet a tall dark stranger -- "People reinvent themselves, don't they?"…”
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  8. 108

    The reluctant film art of Woody Allen / Peter J. Bailey. by Bailey, Peter J., 1946-

    Published 2016
    Table of Contents: “…That old black magic: Woody Allen's ambivalent artistry -- Strictly the movies: Play it again, Sam -- Getting serious: the antimimetic emblems of Annie Hall -- Art and idealization: I'll fake Manhattan -- Strictly the movies ii: how Radio days generated nights at the movies -- Life stand still here: Interiors dialogue -- In the stardust of a song: Stardust memories -- Woody's mild Jewish Rose: Broadway Danny Rose -- The fine art of living well: Hannah and her sisters -- If you want a Hollywood ending: Crimes and misdemeanors -- Everyone loves her/his illusions: The purple rose of Cairo and Shadows and fog -- Poetic license, bullshit: Bullets over Broadway -- Let's just live it: Woody Allen in the 1990s -- Because it's real difficult in life: Husbands and wives -- Rear condo: Manhattan murder mystery -- That voodoo that you do so well: Mighty Aphrodite -- And what a perfect plot: Everyone says I love you and Zelig -- How we choose to distort it: Deconstructing Harry -- From the neck up: Another woman and Celebrity -- Allen and his audience: Sweet and lowdown -- Confrontation and escape: Allen's twenty-first-century meditations on comedy and tragedy -- The magic of luck: Scoop, Magic in the moonlight, and Match point -- The heart still wants what it wants: Vicky Cristina Barcelona and You will meet a tall dark stranger -- "People reinvent themselves, don't they?"…”
    Full text (Emerson users only)
    Electronic eBook