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Showing 1 - 5 results of 5 for search '(((commedia OR comedian) OR comedic) OR comedies) (((((hell'parts. OR ((dead'ppart. OR dead'ppparte.) OR (((lead'pparte. OR head'pparty.) OR ((read'ppart. OR read'parte.) OR read'paparty.)) OR real'pparte.))) OR ((held'ppart. OR (hill'aparte. OR bill'apart.)) OR (deal'ppart. OR tell'appart.))) OR bell'arts.) OR (sell'art. OR well'art.)) OR ((del'parte. OR del'arte.) OR (del'party. OR del'paris.)))', query time: 0.74s Refine Results
  1. 1

    Commedia dell' arte : story, style / Peregrine Productions (Burwood, Vic.)

    Published 2007
    Table of Contents: “…Beginnings of Commedia dell' Arte (2:42) -- Art Forms Included in Commedia dell' Arte (0:55) -- Italian Mask Theater (2:16) -- Ancient Greek Theater (2:43) -- Christianity and Theater Arts (1:27) -- Cultural Rebirth in Italy (3:16) -- Italy: Masked Celebrations (3:15) -- Commedia dell' Arte Stock Characters: Pantalone the Miser (2:44) -- Commedia dell' Arte Stock Characters: Arlecchino and Brighella (1:07) -- Stock Character Representation (4:31) -- Stock Character: Crafty Gentleman (1:09) -- Stock Character: The Doctor (2:59) -- Stock Characters: Romantic Leads (3:44) -- Stock Character: Female Servant (2:50) -- Classic Character Masks: Antihero Figure (2:24) -- Classic Character Masks: Hero Figure (3:00) -- Early Puppet Theater: Slapstick Humor (1:51) -- Commedia dell' Arte: Improvisation (3:42) -- Traveling Companies of Performers (1:31) -- Golden Age of Commedia dell' Arte (3:24) -- Commedia dell' Arte Mime (1:06) -- Theater Troupe in Shakespeare's England (3:53) -- Comedy Changes in Italy (2:00) -- Puppets: Far-Reaching Influence of Commedia dell' Arte (4:34) -- Stock Characters/Universal Characters (4:16) -- Commedia del' Arte Today (1:47) -- Influence of Commedia dell' Arte on Western Comedy (2:35)…”
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  2. 2

    A companion to film comedy / edited by Andrew Horton and Joanna E. Rapf.

    Published 2012
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  3. 3
  4. 4
  5. 5

    A companion to Spanish cinema / edited by Jo Labanyi and Tatjana Pavlović.

    Published 2013
    Table of Contents: “…Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh).…”
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