Television production / Gerald Millerson, Jim Owens. by Millerson, Gerald

Subjects: “…Television Production and direction. sh 85133468…”

Television production / Jim Owens, Gerald Millerson. by Owens, Jim, 1957-

Table of Contents: “…The foundations of television production -- 1. Overview of television production -- Television versus new media -- Production team -- 2. …”

Television production / Alan Wurtzel, Stephen R. Acker. by Wurtzel, Alan

Subjects: “…Television Production and direction. sh 85133468…”

Television production : disciplines and techniques / Thomas D. Burrows, Donald N. Wood, Lynne Schafer Gross. by Burrows, Thomas D.

Subjects: “…Television Production and direction. sh 85133468…”

Television production / Jim Owens. by Owens, Jim, 1957-

Table of Contents: “…An overview of television production -- The people who make it happen -- The television production facility -- The production process -- The script and production plan -- What the camera can do -- Using the camera -- The persuasive camera -- Creating an effective image -- Television graphics -- Lighting for television -- Backgrounds and sets -- Makeup and costumes -- Audio for television -- Recording the story -- Editing the production -- Production practices -- The studio production -- Directing talent -- Production Style -- Remote production -- Distributing the production.…”

Television production / Jim Owens. by Owens, Jim, 1957-

Subjects: “…Television Production and direction.…”
Full text (Emerson users only)

Television production : disciplines and techniques / Thomas D. Burrows, Donald N. Wood, Lynne Schafer Gross. by Burrows, Thomas D.

Subjects: “…Television Production and direction. sh 85133468…”

Television production / Ron Whittaker. by Whittaker, Ron

Subjects:

Television production : a classroom approach /... by Kyker, Keith

Subjects: “…Television Production and direction Study and teaching. sh 85133468…”

Television production : disciplines & techniques / Thomas D. Burrows, Lynne S. Gross, Donald N. Wood. by Burrows, Thomas D.

Subjects: “…Television Production and direction. sh 85133468…”

Television production / Alan Wurtzel, John Rosenbaum. by Wurtzel, Alan

Subjects: “…Television Production and direction. sh 85133468…”

Television production : a classroom approach /... by Kyker, Keith

Subjects: “…Television Production and direction. sh 85133468…”

Television production / Gerald Millerson. by Millerson, Gerald

Subjects: “…Television Production and direction. sh 85133468…”

Television production : an introduction / Donald L. MacRae, Michael R. Monty, Douglas G. Worling. by MacRae, Donald L.

Subjects: “…Television Production and direction. sh 85133468…”

Television production handbook / Herbert Zettl. by Zettl, Herbert

Subjects: “…Television Production and direction Handbooks, manuals, etc. sh2010116037…”

Television production workbook / Herbert Zettl. by Zettl, Herbert

Subjects: “…Television Production and direction. sh 85133468…”

Television production handbook / Herbert Zettl. by Zettl, Herbert

Table of Contents: “…The television production process -- The producer in preproduction -- The script -- The director in preproduction -- Analog and digital television -- The television camera -- Lenses -- Camera operation and picture ccomposition -- Audio : sound pickup -- Audio : sound control -- Lighting -- Techniques of television lighting -- Video-recording and storages systems -- Switching, or instantaneous editing -- Design -- Television talent -- The director in production -- Field production and big remotes -- Postproduction editing : how it works -- Editing functions and principles.…”

Television production workbook / Herbert Zettl. by Zettl, Herbert

Subjects: “…Television Production and direction. sh 85133468…”

Techniques of television production. by Bretz, Rudy

Subjects: “…Television Production and direction. sh 85133468…”

Television production handbook / Herbert Zettl, San Francisco State University. by Zettl, Herbert

Table of Contents: “…About the author -- Preface -- Television Production Process: -- What Television Production Is All About: -- Three production phases: -- Preproduction -- Production -- Postproduction -- Production model: -- Effect-to-cause model -- Medium requirements -- Process message shaping medium requirements -- Production people: -- Nontechnical production personnel -- Technical personnel and crew -- New production personnel -- Technical Production Systems: -- Basic television system: -- How a program host appears on the television receiver -- Single-camera systems -- Multicamera systems -- Major equipment: -- Camera -- Audio -- Lighting -- Switcher -- Video recorder -- Postproduction editing -- Producer In Preproduction: -- What Producing Is All About: -- Preproduction planning: from idea to script: -- Generating program ideas -- Evaluating ideas -- Devising a program proposal -- Preparing a budget -- Writing the script -- Preproduction planning: coordination: -- People and communication -- Facilities request -- Production schedule -- Permits and clearances -- Publicity and promotion -- Ethics -- Information Resources, Unions, And Ratings: -- Information resources -- Unions and legal matters: -- Unions -- Copyrights and clearances -- Other legal considerations -- Audience and ratings: -- Target audience -- Ratings and share -- Script: -- Basic Script Formats: -- Single-column drama script -- Two-column A/V script: -- Fully scripted A/V format -- Partial two-column A/V script -- News script -- Show format -- Fact sheet -- Dramatic Structure, Conflict, And Dramaturgy: -- Structural components -- Conflict and classical dramaturgy: -- Types of dramatic conflict -- Classical dramaturgy -- Event order -- Nondramatic story structure: -- Goal-directed programs -- From Idea To Process Message: Feature story -- From Idea To Process Message: Goal-directed program -- Director In Preproduction: -- How A Director Prepares: -- What the show is all about: -- Process message -- Production method -- Script analysis: -- Locking -in point and translation -- Visualization and sequencing: -- Formulating the process message -- Determining the medium requirements -- Preparing for the show: -- Interpreting a floor plan -- Interpreting a location sketch -- Using a storyboard -- Marking the script -- Communication And Scheduling: -- Support staff: -- Floor manager -- Production assistant -- Associate, or assistant, director -- Facilities requests, schedules, and communication: -- Facilities request -- Production schedule -- Time line -- Director's communication -- Television Camera: -- How Television Cameras Work: -- Parts of the camera -- From light to video signal: -- Imaging device -- Beam splitter and color filter array -- Camera chain: -- Camera control unit -- Sync generator and power supply -- Types of television cameras: -- Studio cameras -- EEP cameras -- ENG/EFP camcorders -- Special-purpose cameras: -- DSLR cameras -- Digital cinema cameras -- Stereo 3D camcorders -- Electronic features: -- Imaging device or sensor -- Gain -- Electronic shutter --White balance -- Audio channels -- Operational features: -- Power supply -- Cables and connectors -- Filter wheel -- Viewfinder and monitor -- Tally light and intercom -- How Digital Video Works: -- Analog and digital: -- What digital is all about -- Difference between analog and digital -- Advantages of the digital television system -- Basic image creation: -- Image raster -- Image resolution -- Scanning modes -- Color -- Lenses: -- What Lenses Are: -- Types of zoom lenses: -- Studio and field lenses -- Zoom range -- Prime lenses -- Lens format -- Optical characteristics of lenses: -- Focal length -- Focus -- Light transmission: iris, aperture, and f-stop -- Depth of field -- Operational controls: -- Zoom control -- Focus control -- Image stabilization -- What Lenses See: -- How lenses see the world: -- Performance characteristics of lenses -- Camera Operation And Picture Composition: -- Working The Camera: -- Standard camera movements -- Camera supports: -- Monopod -- Tripod and tripod dolly -- Studio pedestal -- Mounting (pan-and-tilt) heads -- Special-purpose camera mounts --Working the camcorder and the EFP camera: -- Some basic camera "don'ts" -- Before the shoot -- During the shoot -- After the shoot -- Working the studio camera: -- Before the show -- During the show -- After the show -- Picture Composition: -- Screen size and filed of view: -- Screen size -- Field-of-view steps -- Framing a shot: subject placement: -- Screen-center -- Rule of thirds -- Framing a shot: close-ups and extreme close-ups: -- Close-ups and extreme close-ups in the 4x3 aspect ratio -- Close-ups and extreme close-ups in the 16x9 aspect ratio -- Headroom, nose-room, and closure: -- Headroom -- Nose-room and lead-room -- Closure -- Framing a shot: height and width -- Framing two-shots -- Depth in two-dimensional screen space: -- Single-lens depth: z-axis -- Depth in stereo 3D: -- Double z-axes -- Point of convergence -- Lens separation, or inter-ocular distance -- Depth of field -- Closure in 3D space -- Framing moving shots: -- Lateral motion -- Z-axis motion -- Close-up motion -- 3D motion -- Audio: Sound Pickup: -- How Microphones Hear: -- Microphone types by how they hear: -- Sound-generating elements -- Pickup patterns -- Microphone features -- Microphone types by how they are used: -- Lavalier microphones -- Hand microphones -- Boom microphones -- Headset microphones -- Wireless microphones -- Desk microphones -- Stand microphones -- Hanging microphones -- Hidden microphones -- Long-distance microphones -- How Microphones Work: -- Sound-generating elements: -- Dynamic microphones -- Condenser microphones -- Ribbon microphones -- Sound quality -- Specific microphone features: -- Impedance -- Frequency response -- Balanced and unbalanced mics and cables, and audio connectors -- Mic setups for music pickup: -- Microphone setup for singer and acoustic guitar -- Microphone setup for singer and piano -- Microphone setup for small rock group and direct insertion -- Microphone use specific to ENG/EFP -- Audio: Sound Control: -- Sound Controls And Recording: -- Major audio production equipment: -- Audio console -- Audio mixer -- Patch-bay -- Audio-recording systems -- Basic operation for studio audio: -- Audio control booth -- Basic operation for field audio: -- Keeping sounds separate -- Using the AGC in ENG/EFP -- Using an XLR pad -- ENG/EFP mixing -- Stereo, Surround Sound, And Sound Aesthetics: -- Spatial sound: -- Stereo sound -- Surround sound -- Binaural sound -- Basic aesthetic sound factors: -- Environment -- Figure/ground -- Perspective -- Continuity -- Energy -- Lighting: -- Lighting Instruments And Lighting Controls: -- Light-producing sources: -- Incandescent -- Fluorescent -- LED -- Studio lighting instruments: -- Spotlights -- Floodlights -- Field lighting instruments: -- Portable spotlights -- Portable floodlights -- Diffusing portable spotlights -- Camera lights -- Lighting control equipment: -- Mounting devices -- Directional controls -- Intensity controls: instrument size, distance, and beam -- Basic principle of electronic dimmers -- Light Intensity, Base-Light Levels, Color Temperature, And Color Mixing: -- Light intensity: -- Foot-candles and lux -- Incident light -- Reflected light -- Calculating light intensity -- Operating light level: base-light: -- Base-light levels -- Color temperature and white-balancing: -- Color temperature -- White-balancing -- Color media and mixing: -- How to use color media -- LED colors -- Techniques Of Television Lighting: --…”