Chimes at midnight / Orson Welles, director ; Bridget Gellert Lyons, editor.

Subjects:

Chimes at midnight producers, Ángel Escolano, Emiliano Piedra, Harry Saltzman ; written and directed by Orson Welles.

“…Chimes at midnight (Motion picture)…”

Falstaff = Chimes at midnight /...

“…Chimes at midnight…”

The magic world of Orson Welles / James Naremore. by Naremore, James

Table of Contents: “…Introduction: Orson Welles at 100 -- The prodigy -- The magician -- Citizen kane -- The magnificent ambersons -- The radicalization of style -- Touch of evil -- The gypsy -- The trial -- Chimes at midnight -- Art about art (and sex) -- Between works and texts.…”

Orson Welles : six films analyzed, scene by scene / Randy Rasmussen. by Rasmussen, Randy Loren, 1953-2020

Orson Welles / Joseph McBride. by McBride, Joseph, 1947-

Table of Contents: “…Introduction: a citizen of the screen -- Meeting Orson Welles -- Apprentice work -- Citizen Kane -- The magnificent Ambersons -- Finding a new style -- The lady from Shanghai -- Macbeth and Othello -- Mr Arkadin -- Touch of evil -- The trial -- Chimes at midnight -- The immortal story -- A catalogue of Orson Welles's career.…”

Shakespeare on film / Jack J. Jorgens. by Jorgens, Jack J., 1943-

Table of Contents: “…Realizing Shakespeare on film -- Max Reinhardt and William Dieterle's A midsummer night's dream -- Peter Hall's A midsummer night's dream -- Franco Zeffirelli's Taming of the shrew -- Franco Zeffirelli's Romeo and Juliet -- Joseph Mankiewicz's Julius Caesar -- Orson Welles's Chimes at midnight (Falstaff) -- Laurence Olivier's Henry V -- Laurence Olivier's Richard III -- Defining Macbeth: George Schaefer, Orson Welles, Akira Kurosawa -- Roman Polanski's Macbeth -- Orson Welles's Othello -- Stuart Burge and John Dexter's Othello -- Laurence Olivier's Hamlet -- Grigori Kozintsev's Hamlet -- King Lear: Peter Brook and Grigori Kozintsev.…”

Focus on Orson Welles / edited by Ronald Gottesman.

Table of Contents: “…Orson Welles -- The Kane Mutiny -- Heston on Welles -- An Infinity of Mirrors -- Orson Welles' Use of Sound -- Welles Before Kane -- Citizen Kane -- The Magnificent Ambersons -- Style and Theme in The Lady From Shanghai -- Orson Welles' Macbeth: Script and Screen -- Welles' Othello: A Baroque Translation -- Touch of Evil -- The Study of Persecution: The Trial -- Chimes at Midnight -- The Immortal Story -- Tell Me Lies -- Falstaff in King Hollywood's Court: An Interview Concerning The Other Side of the Wind.…”

Dutch : a memoir of Ronald Reagan / Edmund Morris. by Morris, Edmund

Table of Contents: “…The land of lost things -- The rainbow on the roof -- A dark form half hidden in the snow -- A world elsewhere -- Chimes at midnight -- Air and water -- The indifferent figure in the sand: a review -- Long blue shadows -- Inside story -- Love is on the air -- On the beach with Ronnie and Jane -- A lonely impulse of delight -- The end of the beginning -- Celluloid commandos -- the regeneration of the world -- Star power: a dialogue -- Down the divide: Four short scenarios -- Red or palest pink: a letter -- This dismal wilderness -- INTERMISSION -- And then along came Nancy -- The unexpected mystery of ploughed ground -- Remember old Ma Reagan: A studio interview, 1954 -- Ladies and gentlemen of the California Fertilizer Association: a speech -- Dark days -- Reagan Country -- A sixty-year-old smiling public man -- The ripple effect -- I, Ronald Wilson Reagan -- Back into the iron vest -- Huge cloudy symbols of a high romance -- Physicians of memory -- Almost Air Force One -- One on one -- Explosions -- The beginning of the end -- Album leaves, 1987-1988 -- The shining city.…”

Discovering Orson Welles / Jonathan Rosenbaum. by Rosenbaum, Jonathan

Table of Contents: “…I missed it at the movies: objections to "Raising Kane" --The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will - and how can - we finish Orson Welles's Don Quixote?…”

The great movies III / Roger Ebert. by Ebert, Roger

Table of Contents: “…Three women -- Ace in the hole -- Adaptation -- After dark, my sweet -- After hours -- The age of innocence -- Army of shadows -- Atlantic city -- Au revoir les enfants -- Babel -- The band wagon -- Baraka -- The battle of algiers -- Bergman's Trilogy 1: through a glass darkly -- Bergman's trilogy 2: winter light -- Bergman's trilogy 3: the slience -- The best years of our lives -- The big red one -- Blade runner: the final cut -- Cabiria -- Cat people -- Chimes at midnight -- Chop shop -- Chuck jones: three cartoons -- Cool hand luke -- Crimes and misdemeanors -- Crumb -- Dark city -- The dead -- Diva -- Dog day afternoon -- The double life of Veronique -- Easy rider -- El norte -- El topo -- The enigma of kasper huaser -- Exotica -- Fanny and Alexander -- Faust -- Fitzcarraldo -- Forbidden games -- The godfather: part 2 -- The great dictator -- Groundhog day -- Howards end -- Inherit the wind -- Johnny guitar -- Juliet of the spirits -- Killer of sheep -- La belle noiseuse -- L.A. confindential -- The last picture show -- Last tango in paris -- The last temptation of Christ -- Late spring -- Leolo -- The long goodbye -- Magnolia -- The marriage of maria braun -- Mephisto -- Mishima: a life in four chapters -- Mon oncle antoine -- Moolaade -- My fair lady -- My man godfrey -- Nanook of the north -- Ordet -- Out of the past -- Pan's Labyrinth -- The phantom of the opera -- Pixote -- PLaytime -- A prairie home companion -- Rebel without a cause -- The red shoes -- Ripley's game -- The river (le fleuve) -- Rocco and his brothers -- Safety last -- Samurai rebellion -- Sansho the bailiff -- Santa Sangre -- The scarlet empress -- Secrets and lies -- The shining -- The terrorist -- The thief of Bagdad -- Top hat -- Triumph of the will -- Vengeance is mine -- Waking life -- Werckmeister harmonies -- What ever happened to baby jane? …”

Discovering Orson Welles / Jonathan Rosenbaum. by Rosenbaum, Jonathan

Table of Contents: “…I missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will -- and how can -- we finish Orson Welles's Don Quixote?…”
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The age of movies : selected writings of Pauline Kael / edited by Sanford Schwartz. by Kael, Pauline

Table of Contents: “…Laurence Olivier as Othello ; Marlon Brando: An American Hero ; Movie Brutalists ; Tourist in the City of Youth [Blow-up] ; Movies on Television ; Orson Welles: There Ain't No Way [Falstaff / Chimes at Midnight] ; Bonnie and Clyde -- from Going Steady. …”

Not to be missed : fifty-four favorites from a lifetime of film / Kenneth Turan. by Turan, Kenneth

Table of Contents: “…Touch of evil (1958) ; and Chimes at midnight (1965) -- The fifty-fifth film -- A second fifty-four.…”
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