Paint the White House black : Barack Obama and the meaning of race in America / Michael P. Jeffries.

Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in...

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Bibliographic Details
Online Access: Full text (Emerson users only)
Main Author: Jeffries, Michael P. (Author)
Format: Electronic eBook
Language:English
Published: Stanford : Stanford University Press, [2013]
Subjects:
Local Note:ProQuest Ebook Central

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100 1 |a Jeffries, Michael P.,  |e author. 
245 1 0 |a Paint the White House black :  |b Barack Obama and the meaning of race in America /  |c Michael P. Jeffries. 
264 1 |a Stanford :  |b Stanford University Press,  |c [2013] 
264 4 |c ©2013 
300 |a 1 online resource (x, 210 pages) 
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504 |a Includes bibliographical references (pages 171-199) and index. 
505 0 |a Through the fog -- My (founding) father's son : race, nation, and the politics of inheritance -- "Mutts like me" : Barack Obama, tragic mulattos, and cool mixed race millennials -- Postracialism reconsidered : class, the Black counterpublic, and the end of Black politics -- The perils of being superwoman : Michelle Obama's public image -- A place called "Obama." 
520 |a Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in Obama-themed debate, shifting the emphasis from the details of Obama's political career to an understanding of how race works in America. In this groundbreaking book, race, rather than Obama, is the central focus. Michael P. Jeffries approaches Obama's election and administration as common cultural ground for thinking about race. He uncovers contemporary stereotypes and anxieties by examining historically rooted conceptions of race and nationhood, discourses of'biracialism'and Obama's mixed heritage, the purported emergence of a'post-racial society, 'and popular symbols of Michelle Obama as a modern black woman. In so doing, Jeffries casts new light on how we think about race and enables us to see how race, in turn, operates within our daily lives. Race is a difficult concept to grasp, with outbursts and silences that disguise its relationships with a host of other phenomena. Using Barack Obama as its point of departure, Paint the White House Black boldly aims to understand race by tracing the web of interactions that bind it to other social and historical forces. 
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650 0 |a Post-racialism  |z United States. 
651 0 |a United States  |x Race relations  |x Political aspects. 
651 0 |a United States  |x Social conditions  |y 21st century. 
758 |i has work:  |a Paint the White House black (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGFtyWrJP9ymTCPwX3Qm8d  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Jeffries, Michael P.  |t Paint the White House black.  |d Stanford, California : Stanford University Press, [2013]  |z 9780804780957  |w (DLC) 2012035312  |w (OCoLC)808930459 
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