Béla Balázs : early film theory : Visible man and the spirit of film / Béla Balázs ; edited by Erica Carter ; translated by Rodney Livingstone.
"Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the fi...
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Format: | Electronic eBook |
Language: | English German |
Published: |
New York :
Berghahn Books,
2010.
|
Edition: | 1. pbk. ed. 2011. |
Series: | Film Europa ;
v. 10. |
Subjects: | |
Local Note: | ProQuest Ebook Central |
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100 | 1 | |a Balázs, Béla, |d 1884-1949. |1 https://id.oclc.org/worldcat/entity/E39PBJw4y7XpQ9QgvhxC4PmyBP | |
240 | 1 | 0 | |a Sichtbare mensch. |l English |
245 | 1 | 0 | |a Béla Balázs : |b early film theory : Visible man and the spirit of film / |c Béla Balázs ; edited by Erica Carter ; translated by Rodney Livingstone. |
250 | |a 1. pbk. ed. 2011. | ||
260 | |a New York : |b Berghahn Books, |c 2010. | ||
300 | |a 1 online resource (xlvi, 258 pages, 10 unnumbered pages of plates) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
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490 | 1 | |a Film Europa : German cinema in an international context ; |v v. 4 | |
504 | |a Includes bibliographical references (pages 237-240) and index. | ||
505 | 0 | |a I. May We Come In? -- II. To Directors and Other Fellow Practitioners -- III. On Creative Enjoyment -- Visible Man -- Sketches For a Theory of Film ; The Substance of Film Type and Physiognomy ; The Play of Facial Expressions ; The Close-Up ; The Face of Things ; Nature and Naturalness ; Visual Linkage ; Supplementary Fragments ; World View -- Two Portraits ; Chaplin, the Ordinary American ; Asta Nielsen: How She Loves and How She Grows Old -- The Spirit of Film ; Seven Years ; The Productive Camera ; The Close-Up ; Set-Up Montage ; Montage Without Cutting Flight From the Story ; The Absolute Film ; Colour Film and Other Possibilities ; Sound Film Ideological Remarks. | |
520 | |a "Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - alongside such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the 'golden age' of the Weimar silents. | ||
520 | |a Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin."--Pub. desc. | ||
588 | 0 | |a Print version record. | |
590 | |a ProQuest Ebook Central |b Ebook Central College Complete | ||
650 | 0 | |a Motion pictures. | |
700 | 1 | |a Carter, Erica. | |
700 | 1 | 2 | |a Balázs, Béla, |d 1884-1949. |t Geist des Films. |l English. |
758 | |i has work: |a Béla Balázs (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFBtBkDDqBbgQYFqBc8bv3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Online version: |a Balázs, Béla, 1884-1949. |s Sichtbare mensch. English. |t Béla Balázs. |d New York : Berghahn Books, 2010 |w (OCoLC)663738261 |
776 | 0 | 8 | |i Print version: |a Balázs, Béla, 1884-1949. |s Sichtbare mensch. English. |t Béla Balázs. |b 1. pbk. ed. 2011. |d New York : Berghahn Books, 2010 |z 9781845456603 |z 1845456602 |w (DLC) 2009047674 |
830 | 0 | |a Film Europa ; |v v. 10. | |
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