Musical composition awards 1943-1999 : from Aaron Copland and Samuel Barber to Gian-Carlo Menotti and Melinda Wagner / edited with general and special introductions by Heinz-Dietrich Fischer in cooperation with Erika J. Fischer.

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Bibliographic Details
Online Access: Full text (Emerson users only)
Contributors: Fischer, Heinz Dietrich, 1937-, Fischer, Erika J.
Format: Electronic eBook
Language:English
Published: München : K.G. Saur, 2001.
Series:Pulitzer Prize archive ; v. 15.
Subjects:
Local Note:ProQuest Ebook Central
Table of Contents:
  • PREFACE
  • INTRODUCTION
  • HISTORY AND DEVELOPMENT OF THE PULITZER PRIZE FOR MUSIC
  • PRESENTATION OF AWARD-WINNING MUSICAL COMPOSITIONS
  • REMARKS ABOUT THE DOCUMENTATION CRITERIA
  • 1943 AWARD: ABOUT THE COMPOSITION SECULAR CANTATA NO. 2 â€? A FREE SONG
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1944 AWARD: ABOUT THE COMPOSITION SYMPHONY NO. 4, OPUS 34
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1945 AWARD: ABOUT THE BALLET MUSIC APPALACHIAN SPRING
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE1946 AWARD: ABOUT THE COMPOSITION THE CANTICLE OF THE SUN
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1947 AWARD: ABOUT THE COMPOSITION SYMPHONY NO. 3
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1948 AWARD: ABOUT THE COMPOSITION SYMPHONY NO. 3
  • FIRST PERFORMANCE OF THE WORK
  • THE SCORES OPENING PASSAGE
  • 1949 AWARD: ABOUT THE FILM MUSIC FOR LOUISIANA STORY
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1950 AWARD: ABOUT THE OPERA THE CONSUL
  • FIRST PERFORMANCE OF THE WORKTHE SCOREâ€?S OPENING PASSAGE
  • 1951 AWARD: ABOUT THE OPERA GIANTS IN THE EARTH
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1952 AWARD: ABOUT THE COMPOSITION SYMPHONY CONCERTANTE
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1953 AWARD: ABOUT THE DECISION TO WITHHOLD THE MUSIC PRIZE
  • NAMES OF THE BOARD MEMBERS VOTING FOR “NO AWARDâ€?
  • 1954 AWARD: ABOUT THE COMPOSITION CONCERTO FOR TWO PIANOS AND ORCHESTRA
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1955 AWARD: ABOUT THE OPERA THE SAINT OF BLEECKER STREETFIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1956 AWARD: ABOUT THE COMPOSITION SYMPHONY NO. 3
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1957 AWARD: ABOUT THE COMPOSITION MEDITATIONS ON ECCLESIASTES
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1958 AWARD: ABOUT THE OPERA VANESSA
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1959 AWARD: ABOUT THE COMPOSITION CONCERTO FOR PIANO AND ORCHESTRA
  • FIRST PERFORMANCE OF THE WORKTHE SCOREâ€?S OPENING PASSAGE
  • 1960 AWARD: ABOUT THE COMPOSITION SECOND STRING QUARTET
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1961 AWARD: ABOUT THE COMPOSITION SYMPHONY NO. 7
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1962 AWARD: ABOUT THE OPERA THE CRUCIBLE
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE
  • 1963 AWARD: ABOUT THE COMPOSITION PIANO CONCERTO NO. 1
  • FIRST PERFORMANCE OF THE WORK
  • THE SCOREâ€?S OPENING PASSAGE