Bardo (In Extremis).
This work by director Douglas Rosenberg, a regular collaborator with contemporary choreographers, is a collection of three dances created specifically for the camera. Each work features Rosenberg's lyrical camera work and suspends the choreography within an elegant frame. The dances for the cam...
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Full text (Emerson users only) |
|---|---|
| Format: | Electronic Video |
| Language: | English |
| Published: |
[Durham, North Carolina] :
American Dance Festival,
[199-?]
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| Series: | Academic Video Online
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| Subjects: | |
| Genre/Form: | Filmed dance. |
MARC
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| 245 | 0 | 0 | |a Bardo (In Extremis). |
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| 264 | 1 | |a [Durham, North Carolina] : |b American Dance Festival, |c [199-?] | |
| 300 | |a 1 online resource (10 min.) | ||
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| 490 | 0 | |a Academic Video Online | |
| 500 | |a Title from resource description page (viewed October 23, 2015). | ||
| 518 | |o Performed |p Duke University. Duke Recording Studio. | ||
| 518 | |o Recorded |p Durham, North Carolina |d 1996. | ||
| 520 | |a This work by director Douglas Rosenberg, a regular collaborator with contemporary choreographers, is a collection of three dances created specifically for the camera. Each work features Rosenberg's lyrical camera work and suspends the choreography within an elegant frame. The dances for the camera featured on this tape include works by internationally respected dance artists; "Wind" with Eiko and Koma, "Bardo (In Extremis)" with Molissa Fenley, and "My Grandfather Dances" with Anna Halprin. | ||
| 546 | |a Original language in English. | ||
| 650 | 0 | |a Modern dance. | |
| 655 | 7 | |a Filmed dance. |2 lcgft | |
| 700 | 1 | |a Rosenberg, Douglas, |e film director, |e film producer. | |
| 758 | |i has work: |a Bardo (in extremis) (MovingImage) |1 https://id.oclc.org/worldcat/entity/E39PCGFFdrXtmTV8hGWPMrfb7d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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