The Bloodaxe book of 20th century poetry from Britain and Ireland / edited by Edna Longley.
This volume draws the poetic line of the century not through culture-defining groups, but through the work of the most significant poets of our time.
Saved in:
| Contributors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Tarset, Northumberland :
Bloodaxe Books,
2000.
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| Subjects: |
MARC
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| 245 | 0 | 4 | |a The Bloodaxe book of 20th century poetry from Britain and Ireland / |c edited by Edna Longley. |
| 246 | 3 | |a Bloodaxe book of twentieth century poetry from Britain and Ireland | |
| 246 | 3 | 0 | |a 20th century poetry from Britain and Ireland |
| 264 | 1 | |a Tarset, Northumberland : |b Bloodaxe Books, |c 2000. | |
| 264 | 2 | |a Chester Springs, PA : |b U.S. distributor, Dufour Editions | |
| 300 | |a 368 pages ; |c 22 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Distributor statement from label on page 4 of cover. | ||
| 505 | 0 | 0 | |t Preface |g (starting p. 16) / |r Edna Longley -- |t The Darkling Thrush |g (starting p. 25) / |r Thomas Hardy (1840-1928) -- |t The Self-Unseeing |g (starting p. 26) / |r Thomas Hardy (1840-1928) -- |t The Convergence of the Twain |g (starting p. 27) / |r Thomas Hardy (1840-1928) -- |t The Walk |g (starting p. 28) / |r Thomas Hardy (1840-1928) -- |t After a Journey |g (starting p. 29) / |r Thomas Hardy (1840-1928) -- |t The Oxen |g (starting p. 30) / |r Thomas Hardy (1840-1928) -- |t During Wind and Rain |g (starting p. 31) / |r Thomas Hardy (1840-1928) -- |t In Time of 'The Breaking of Nations' |g (starting p. 32) / |r Thomas Hardy (1840-1928) -- |t The Fallow Deer at the Lonely House |g (starting p. 32) / |r Thomas Hardy (1840-1928) -- |t Shortening Days at the Homestead |g (starting p. 33) / |r Thomas Hardy (1840-1928) -- |t Christmas: 1924 |g (starting p. 33) / |r Thomas Hardy (1840-1928) -- |t The Fascination of What's Difficult |g (starting p. 35) / |r W.B. Yeats (1865-1939) -- |t The Cold Heaven |g (starting p. 35) / |r W.B. Yeats (1865-1939) -- |t The Wild Swans at Coole |g (starting p. 36) / |r W.B. Yeats (1865-1939) -- |t Memory |g (starting p. 37) / |r W.B. Yeats (1865-1939) -- |t Easter 1916 |g (starting p. 37) / |r W.B. Yeats (1865-1939) -- |t The Second Coming |g (starting p. 39) / |r W.B. Yeats (1865-1939) -- |t Nineteen Hundred and Nineteen |g (starting p. 40) / |r W.B. Yeats (1865-1939) -- |t Leda and the Swan |g (starting p. 43) / |r W.B. Yeats (1865-1939) -- |t Byzantium |g (starting p. 44) / |r W.B. Yeats (1865-1939) -- |t Politics |g (starting p. 45) / |r W.B. Yeats (1865-1939) -- |t Old Man |g (starting p. 46) / |r Edward Thomas (1878-1917) -- |t The Combe |g (starting p. 48) / |r Edward Thomas (1878-1917) -- |t In Memoriam (Easter 1915) |g (starting p. 48) / |r Edward Thomas (1878-1917) -- |t Aspens |g (starting p. 48) / |r Edward Thomas (1878-1917) -- |t Rain |g (starting p. 49) / |r Edward Thomas (1878-1917) -- |t Thaw |g (starting p. 50) / |r Edward Thomas (1878-1917) -- |t Tall Nettles |g (starting p. 50) / |r Edward Thomas (1878-1917) -- |t The Watchers |g (starting p. 50) / |r Edward Thomas (1878-1917) -- |t The sun used to shine |g (starting p. 51) / |r Edward Thomas (1878-1917) -- |t As the team's brass |g (starting p. 52) / |r Edward Thomas (1878-1917) -- |t Lights Out |g (starting p. 53) / |r Edward Thomas (1878-1917) -- |t Sorrow |g (starting p. 54) / |r D.H. Lawrence (1885-1930) -- |t Piano |g (starting p. 55) / |r D.H. Lawrence (1885-1930) -- |t Gloire de Dijon |g (starting p. 55) / |r D.H. Lawrence (1885-1930) -- |t Humming-Bird |g (starting p. 56) / |r D.H. Lawrence (1885-1930) -- |t Kangaroo |g (starting p. 57) / |r D.H. Lawrence (1885-1930) -- |t Lizard |g (starting p. 59) / |r D.H. Lawrence (1885-1930) -- |t Bavarian Gentians |g (starting p. 59) / |r D.H. Lawrence (1885-1930) -- |t The Ship of Death |g (starting p. 60) / |r D.H. Lawrence (1885-1930) -- |t 'They' |g (starting p. 64) / |r Siegfried Sassoon (1886-1967) -- |t The Rear-Guard |g (starting p. 65) / |r Siegfried Sassoon (1886-1967) -- |t The Dug-Out |g (starting p. 66) / |r Siegfried Sassoon (1886-1967) -- |t Everyone Sang |g (starting p. 66) / |r Siegfried Sassoon (1886-1967) -- |t Orpheus' Dream |g (starting p. 67) / |r Edwin Muir (1887-1959) -- |t The Horses |g (starting p. 68) / |r Edwin Muir (1887-1959) -- |t I see the image |g (starting p. 69) / |r Edwin Muir (1887-1959) -- |t The Love Song of J. Alfred Prufrock |g (starting p. 71) / |r T.S. Eliot (1888-1965) -- |t La Figlia Che Piange |g (starting p. 75) / |r T.S. Eliot (1888-1965) -- |t from The Waste Land |g (starting p. 76) / |r T.S. Eliot (1888-1965) -- |t To His Love |g (starting p. 82) / |r Ivor Gurney (1890-1937) -- |t The hoe scrapes earth |g (starting p. 83) / |r Ivor Gurney (1890-1937) -- |t Smudgy Dawn |g (starting p. 83) / |r Ivor Gurney (1890-1937) -- |t The Not-Returning |g (starting p. 84) / |r Ivor Gurney (1890-1937) -- |t To God |g (starting p. 84) / |r Ivor Gurney (1890-1937) -- |t The Mangel-Bury |g (starting p. 85) / |r Ivor Gurney (1890-1937) -- |t Break of Day in the Trenches |g (starting p. 86) / |r Isaac Rosenberg (1890-1918) -- |t Returning, we hear the Larks |g (starting p. 87) / |r Isaac Rosenberg (1890-1918) -- |t Dead Man's Dump |g (starting p. 88) / |r Isaac Rosenberg (1890-1918) -- |t Morning |g (starting p. 90) / |r Hugh MacDiarmid (1892-1978) -- |t The Watergaw |g (starting p. 91) / |r Hugh MacDiarmid (1892-1978) -- |t Ex vermibus |g (starting p. 91) / |r Hugh MacDiarmid (1892-1978) -- |t The Eemis Stane |g (starting p. 92) / |r Hugh MacDiarmid (1892-1978) -- |t The Innumerable Christ |g (starting p. 92) / |r Hugh MacDiarmid (1892-1978) -- |t At My Father's Grave |g (starting p. 93) / |r Hugh MacDiarmid (1892-1978) -- |t Prayer for a Second Flood |g (starting p. 93) / |r Hugh MacDiarmid (1892-1978) -- |t Tarras |g (starting p. 94) / |r Hugh MacDiarmid (1892-1978) -- |t To a Friend and Fellow-Poet |g (starting p. 97) / |r Hugh MacDiarmid (1892-1978) -- |t Anthem for Doomed Youth |g (starting p. 98) / |r Wilfred Owen (1893-1918) -- |t I saw his round mouth's crimson deepen as it fell |g (starting p. 99) / |r Wilfred Owen (1893-1918) -- |t Dulce Et Decorum Est |g (starting p. 99) / |r Wilfred Owen (1893-1918) -- |t Insensibility |g (starting p. 100) / |r Wilfred Owen (1893-1918) -- |t Strange Meeting |g (starting p. 102) / |r Wilfred Owen (1893-1918) -- |t Futility |g (starting p. 103) / |r Wilfred Owen (1893-1918) -- |t The Send-Off |g (starting p. 104) / |r Wilfred Owen (1893-1918) -- |t Exposure |g (starting p. 104) / |r Wilfred Owen (1893-1918) -- |t All the hills and vales along |g (starting p. 106) / |r Charles Hamilton Sorley (1895-1915) -- |t When you see millions of the mouthless dead |g (starting p. 107) / |r Charles Hamilton Sorley (1895-1915) -- |t Love Without Hope |g (starting p. 108) / |r Robert Graves (1895-1985) -- |t Pure Death |g (starting p. 109) / |r Robert Graves (1895-1985) -- |t The Christmas Robin |g (starting p. 109) / |r Robert Graves (1895-1985) -- |t Flying Crooked |g (starting p. 110) / |r Robert Graves (1895-1985) -- |t Mid-Winter Waking |g (starting p. 110) / |r Robert Graves (1895-1985) -- |t She Tells Her Love While Half Asleep |g (starting p. 111) / |r Robert Graves (1895-1985) -- |t Theseus and Ariadne |g (starting p. 111) / |r Robert Graves (1895-1985) -- |t To Juan at the Winter Solstice |g (starting p. 112) / |r Robert Graves (1895-1985) -- |t The White Goddess |g (starting p. 113) / |r Robert Graves (1895-1985) -- |t Secrecy |g (starting p. 114) / |r Austin Clarke (1896-1974) -- |t The Lost Heifer |g (starting p. 115) / |r Austin Clarke (1896-1974) -- |t Pilgrimage |g (starting p. 115) / |r Austin Clarke (1896-1974) -- |t The Planter's Daughter |g (starting p. 117) / |r Austin Clarke (1896-1974) -- |t Penal Law |g (starting p. 117) / |r Austin Clarke (1896-1974) -- |t from Briggflates |g (starting p. 118) / |r Basil Bunting (1900-85) -- |t The Abominable Lake |g (starting p. 123) / |r Stevie Smith (1902-71) -- |t Infelice |g (starting p. 124) / |r Stevie Smith (1902-71) -- |t The Ambassador |g (starting p. 124) / |r Stevie Smith (1902-71) -- |t Not Waving but Drowning |g (starting p. 125) / |r Stevie Smith (1902-71) -- |t I Remember |g (starting p. 125) / |r Stevie Smith (1902-71) -- |t God and Eater |g (starting p. 126) / |r Stevie Smith (1902-71) -- |t Oh grateful colours, bright looks! |g (starting p. 126) / |r Stevie Smith (1902-71) -- |t Inniskeen Road: July Evening |g (starting p. 127) / |r Patrick Kavanagh (1904-67) -- |t Shancoduff |g (starting p. 128) / |r Patrick Kavanagh (1904-67) -- |t Spraying the Potatoes |g (starting p. 128) / |r Patrick Kavanagh (1904-67) -- |t from A Christmas Childhood |g (starting p. 129) / |r Patrick Kavanagh (1904-67) -- |t Consider the Grass Growing |g (starting p. 131) / |r Patrick Kavanagh (1904-67) -- |t Kerr's Ass |g (starting p. 131) / |r Patrick Kavanagh (1904-67) -- |t Innocence |g (starting p. 131) / |r Patrick Kavanagh (1904-67) -- |t Epic |g (starting p. 132) / |r Patrick Kavanagh (1904-67) -- |t Central Europe |g (starting p. 133) / |r Norman Cameron (1905-53) -- |t Fight with a Water-Spirit |g (starting p. 134) / |r Norman Cameron (1905-53) -- |t Meeting My Former Self |g (starting p. 134) / |r Norman Cameron (1905-53) -- |t Green, Green is El Aghir |g (starting p. 135) / |r Norman Cameron (1905-53) -- |t Worther See |g (starting p. 135) / |r Norman Cameron (1905-53) -- |t Camping Out |g (starting p. 136) / |r William Empson (1906-84) -- |t Homage to the British Museum |g (starting p. |
| 505 | 0 | 0 | |t 137) / |r William Empson (1906-84) -- |t Note on Local Flora |g (starting p. 137) / |r William Empson (1906-84) -- |t Missing Dates |g (starting p. 138) / |r William Empson (1906-84) -- |t Let it go |g (starting p. 138) / |r William Empson (1906-84) -- |t Through the Looking-Glass |g (starting p. 140) / |r W.H. Auden (1907-73) -- |t On This Island |g (starting p. 141) / |r W.H. Auden (1907-73) -- |t Musee des Beaux Arts |g (starting p. 142) / |r W.H. Auden (1907-73) -- |t Gare du Midi |g (starting p. 143) / |r W.H. Auden (1907-73) -- |t Epitaph on a Tyrant |g (starting p. 143) / |r W.H. Auden (1907-73) -- |t Edward Lear |g (starting p. 143) / |r W.H. Auden (1907-73) -- |t In Memory of W.B. Yeats |g (starting p. 144) / |r W.H. Auden (1907-73) -- |t September 1, 1939 |g (starting p. 146) / |r W.H. Auden (1907-73) -- |t In Praise of Limestone |g (starting p. 149) / |r W.H. Auden (1907-73) -- |t Mayfly |g (starting p. 152) / |r Louis MacNiece (1907-63) -- |t Birmingham |g (starting p. 154) / |r Louis MacNiece (1907-63) -- |t Snow |g (starting p. 155) / |r Louis MacNiece (1907-63) -- |t Dublin |g (starting p. 155) / |r Louis MacNiece (1907-63) -- |t Meeting Point |g (starting p. 157) / |r Louis MacNiece (1907-63) -- |t Death of an Actress |g (starting p. 158) / |r Louis MacNiece (1907-63) -- |t Night Club |g (starting p. 159) / |r Louis MacNiece (1907-63) -- |t Reflections |g (starting p. 160) / |r Louis MacNiece (1907-63) -- |t Soap Suds |g (starting p. 160) / |r Louis MacNiece (1907-63) -- |t Charon |g (starting p. 161) / |r Louis MacNiece (1907-63) -- |t Landscape |g (starting p. 162) / |r John Hewitt (1907-87) -- |t Substance and Shadow |g (starting p. 163) / |r John Hewitt (1907-87) -- |t Gloss, on the difficulties of translation |g (starting p. 163) / |r John Hewitt (1907-87) -- |t A Local Poet |g (starting p. 164) / |r John Hewitt (1907-87) -- |t Ghaisties |g (starting p. 165) / |r Robert Garioch (1909-81) -- |t My Faither Sees Me |g (starting p. 166) / |r Robert Garioch (1909-81) -- |t Sisyphus |g (starting p. 167) / |r Robert Garioch (1909-81) -- |t During a Music Festival |g (starting p. 168) / |r Robert Garioch (1909-81) |
| 505 | 0 | 0 | |t Elegy |g (starting p. 168) / |r Robert Garioch (1909-81) -- |t Summer farm |g (starting p. 169) / |r Norman MacCaig (1910-96) -- |t Fetching cows |g (starting p. 170) / |r Norman MacCaig (1910-96) -- |t Sleeping compartment |g (starting p. 170) / |r Norman MacCaig (1910-96) -- |t So many summers |g (starting p. 171) / |r Norman MacCaig (1910-96) -- |t Stag in a neglected hayfield |g (starting p. 171) / |r Norman MacCaig (1910-96) -- |t In memoriam |g (starting p. 172) / |r Norman MacCaig (1910-96) -- |t Blue tit on a string of peanuts |g (starting p. 172) / |r Norman MacCaig (1910-96) -- |t January |g (starting p. 173) / |r R.S. Thomas (1913-2000) -- |t The Gap in the Hedge |g (starting p. 174) / |r R.S. Thomas (1913-2000) -- |t The Cat and the Sea |g (starting p. 174) / |r R.S. Thomas (1913-2000) -- |t A Blackbird Singing |g (starting p. 174) / |r R.S. Thomas (1913-2000) -- |t Via Negativa |g (starting p. 175) / |r R.S. Thomas (1913-2000) -- |t Moorland |g (starting p. 175) / |r R.S. Thomas (1913-2000) -- |t A Marriage |g (starting p. 176) / |r R.S. Thomas (1913-2000) -- |t Hiding Beneath the Furze |g (starting p. 177) / |r Henry Reed (1914-86) -- |t from Lessons of the War |g (starting p. 178) / |r Henry Reed (1914-86) -- |t The force that through the green fuse drives the flower |g (starting p. 181) / |r Dylan Thomas (1914-53) -- |t After the funeral |g (starting p. 182) / |r Dylan Thomas (1914-53) -- |t Once it was the colour of saying |g (starting p. 183) / |r Dylan Thomas (1914-53) -- |t Twenty-four years |g (starting p. 184) / |r Dylan Thomas (1914-53) -- |t Do not go gentle into that good night |g (starting p. 184) / |r Dylan Thomas (1914-53) -- |t Among those Killed in the Dawn Raid was A Man Aged a Hundred |g (starting p. 185) / |r Dylan Thomas (1914-53) -- |t Fern Hill |g (starting p. 185) / |r Dylan Thomas (1914-53) -- |t Over Sir John's hill |g (starting p. 187) / |r Dylan Thomas (1914-53) -- |t All Day It Has Rained ... |g (starting p. 189) / |r Alun Lewis (1915-44) -- |t Goodbye |g (starting p. 190) / |r Alun Lewis (1915-44) -- |t To Alexander Graham |g (starting p. 192) / |r W.S. Graham (1918-86) -- |t The Stepping Stones |g (starting p. 194) / |r W.S. Graham (1918-86) -- |t To My Wife at Midnight |g (starting p. 194) / |r W.S. Graham (1918-86) -- |t Time Eating |g (starting p. 198) / |r Keith Douglas (1920-44) -- |t The Marvel |g (starting p. 198) / |r Keith Douglas (1920-44) -- |t The Hand |g (starting p. 199) / |r Keith Douglas (1920-44) -- |t Cairo Jag |g (starting p. 200) / |r Keith Douglas (1920-44) -- |t Words |g (starting p. 201) / |r Keith Douglas (1920-44) -- |t Desert Flowers |g (starting p. 202) / |r Keith Douglas (1920-44) -- |t Vergissmeinnicht |g (starting p. 202) / |r Keith Douglas (1920-44) -- |t How to Kill |g (starting p. 203) / |r Keith Douglas (1920-44) -- |t On a Return from Egypt |g (starting p. 204) / |r Keith Douglas (1920-44) -- |t Chinese Cat |g (starting p. 205) / |r Edwin Morgan (b. 1920) -- |t Clydesdale |g (starting p. 206) / |r Edwin Morgan (b. 1920) -- |t Aberdeen Train |g (starting p. 206) / |r Edwin Morgan (b. 1920) -- |t Canedolia |g (starting p. 207) / |r Edwin Morgan (b. 1920) -- |t The Unspoken |g (starting p. 208) / |r Edwin Morgan (b. 1920) -- |t Foundation |g (starting p. 210) / |r Edwin Morgan (b. 1920) -- |t Going |g (starting p. 211) / |r Philip Larkin (1922-85) -- |t Wedding-Wind |g (starting p. 212) / |r Philip Larkin (1922-85) -- |t Deceptions |g (starting p. 213) / |r Philip Larkin (1922-85) -- |t I Remember, I Remember |g (starting p. 213) / |r Philip Larkin (1922-85) -- |t Mr. Bleaney |g (starting p. 214) / |r Philip Larkin (1922-85) -- |t An Arundel Tomb |g (starting p. 215) / |r Philip Larkin (1922-85) -- |t The Whitsun Weddings |g (starting p. 217) / |r Philip Larkin (1922-85) -- |t MCMXIV |g (starting p. 219) / |r Philip Larkin (1922-85) -- |t Friday Night in the Royal Station Hotel |g (starting p. 220) / |r Philip Larkin (1922-85) -- |t Cut Grass |g (starting p. 220) / |r Philip Larkin (1922-85) -- |t Green Waters |g (starting p. 221) / |r Ian Hamilton Finlay (b. 1925) -- |t Orkney Interior |g (starting p. 222) / |r Ian Hamilton Finlay (b. 1925) -- |t from One Word Poems |g (starting p. 223) / |r Ian Hamilton Finlay (b. 1925) -- |t Dove |g (starting p. 223) / |r Ian Hamilton Finlay (b. 1925) -- |t Late Night Shipping Forecast |g (starting p. 223) / |r Ian Hamilton Finlay (b. 1925) -- |t The Water Carrier |g (starting p. 224) / |r John Montague (b. 1929) -- |t The Trout |g (starting p. 225) / |r John Montague (b. 1929) -- |t All Legendary Obstacles |g (starting p. 226) / |r John Montague (b. 1929) -- |t Windharp |g (starting p. 227) / |r John Montague (b. 1929) |
| 520 | 8 | |a This volume draws the poetic line of the century not through culture-defining groups, but through the work of the most significant poets of our time. | |
| 650 | 0 | |a English poetry |y 20th century. |0 sh 85043938 | |
| 650 | 0 | |a English poetry |x Irish authors. |0 sh 85043949 | |
| 700 | 1 | |a Longley, Edna. |0 n 81147007 | |
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| 952 | f | f | |p Can circulate |a Emerson College |b Main Campus |c Emerson College Library |d Main Stacks |t 0 |e PR1225 .B55 2000 |h Library of Congress classification |i Book |m 0113501965413 |