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|a The Oxford handbook of Japanese cinema /
|c edited by Daisuke Miyao.
|
| 264 |
|
1 |
|a Oxford ;
|a New York :
|b Oxford University Press,
|c 2014.
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| 300 |
|
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|a xii, 483 pages :
|b illustrations ;
|c 26 cm.
|
| 336 |
|
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|a text
|b txt
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| 337 |
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|a unmediated
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| 338 |
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|b nc
|2 rdacarrier
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| 490 |
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|a [Oxford handbooks]
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| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
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|a Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s / Sangjoon Lee -- Yamagata-Asia-Europe: the International Film Festival short circuit / Abâe Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Hidenori Okada (translated by Ayako Saito and Daisuke Miyao) -- Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film: Twilight Samurai -- A Salaryman -- Producer's Point of View / Ichiro Yamamoto (translated by Diane Wei Lewis) -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- Reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- By other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- Viral contagion in the Ringu intertext / Carlos Rojas -- Media mix and the metaphoric economy of world / Alexander Zahlten.
|
| 505 |
0 |
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|a Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s / Sangjoon Lee -- Yamagata-Asia-Europe: the International Film Festival short circuit / Abé Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Hidenori Okada (translated by Ayako Saito and Daisuke Miyao) -- Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film: Twilight Samurai -- A Salaryman -- Producer's Point of View / Ichiro Yamamoto (translated by Diane Wei Lewis) -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- Reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- By other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- Viral contagion in the Ringu intertext / Carlos Rojas -- Media mix and the metaphoric economy of world / Alexander Zahlten.
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|h Library of Congress classification
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|m 0113503191604
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