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e1453859 |
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20230112234812.0 |
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130605s2014 nyua b 001 0 eng |
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|a 2013019584
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|a 842884097
|a 842884098
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|a 9780231167949 (cloth : alk. paper)
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|a 0231167946 (cloth : alk. paper)
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|a 9780231167956 (pbk. : alk. paper)
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|a 0231167954 (pbk. : alk. paper)
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|a 9780231537896 (e-book)
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|a 0231537891 (e-book)
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|a (OCoLC)842879083
|z (OCoLC)842884097
|z (OCoLC)842884098
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|a DLC
|b eng
|e rda
|c DLC
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|a ECLL
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|a PN1993.5.U6
|b K466 2014
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082 |
0 |
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|a 791.430973
|2 23
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100 |
1 |
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|a King, Geoff,
|d 1960-
|e author.
|0 n 2002025977
|
245 |
1 |
0 |
|a Indie 2.0 :
|b change and continuity in contemporary American indie film /
|c Geoff King.
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264 |
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1 |
|a New York :
|b Columbia University Press,
|c [2014]
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300 |
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|a ix, 301 pages ;
|c 24 cm
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336 |
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|a text
|b txt
|2 rdacontent
|
337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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504 |
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|a Includes bibliographical references and index.
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505 |
0 |
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|a Introduction: discourses on the state of indie film -- Quirky by design? irony vs. sincerity in Little Miss Sunshine and Juno -- Industry 2.0: the digital domain and beyond -- Mumblecore -- Social realism and art cinema: the films of Kelly Reichardt and Ramin Bahrani -- The desktop aesthetic: first-person expressive in Tarnation and Four eyed monsters -- Conclusion: indie lives!.
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650 |
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|a Independent films
|z United States
|x History and criticism.
|0 sh2005007658
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650 |
|
0 |
|a Motion pictures
|z United States
|x History
|y 21st century.
|0 sh2008108001
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|t 0
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|p Can circulate
|a Emerson College
|b Main Campus
|c Emerson College Library
|d Main Stacks
|t 0
|e PN1993.5.U6 K466 2014
|h Library of Congress classification
|i Book
|m 0113503119399
|